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Audible Infrastructures
Our day-to-day musical enjoyment seems so simple, so easy, so automatic.Songs instantly emanate from our computers and phones, at any time of day.The tools for playing and making music, such as records and guitars, wait for us in stores, ready for purchase and use. And when we no longer need them, we can leave them at the curb, where they disappear effortlessly and without a trace.These casual engagements often conceal the complex infrastructures that make our musical cultures possible. Audible Infrastructures takes readers to the sawmills, mineshafts, power grids, telecoms networks, transport systems, and junk piles that seem peripheral to musical culture and shows that they are actually pivotal to what music is, how it works, and why it matters. Organized into three parts dedicated to the main phases in the social life and death of musical commodities — resources and production, circulation and transmission, failure and waste — this book provides a concerted archaeology of music's media infrastructures.As contributors reveal the material-environmental realities and political-economic conditions of music and listening, they open our eyes to the hidden dimensions of how music is made, delivered, and disposed of.In rethinking our responsibilities as musicians and listeners, this book calls for nothing less than a reconsideration of how music comes to sound.
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That Audible Slippage
That Audible Slippage invokes a poetics of active listening and environmental sound to investigate the ways in which we interact with the world, balancing perception and embodiment alongside a hypnagogic terrain of grief and mortality.Audibility is a primary theme of this collection—what can be heard, what is obstacled, and what remains unheard.Many of the poems included in the collection try to hold spaces open for the slipperiness of the heard and unheard and the not-yet heard and their associated problems: error, insufficiency, loss, incompleteness, and other affects such as fear and avoidance. “A Branch of Happen,” the opening section of award-winning poet Margaret Christakos’ collection, explores interior listening to both the self as sensation machine and the collaged external soundscape we both hear and fail to hear within the assailing violences and inequities of the news.A second suite, “Heart is a Guest Whippet Resting on a Firm Trunk,” is troubled by memories of deceased loved-ones amid the North Saskatchewan River valley and the many-layered history of amiskwaciwâskahikan (Edmonton).The fragmentary “Listening Line Notebook” multiplies the treatment of listening as a situated perceptual, sensory, and ethical process.A final long poem called “The Incubation” navigates ideas of being asleep and awake, altered and attuned, as well as spiritually dis/located in time and space.Poised within and beyond both established and emergent traditions of ecocriticism, contemporary feminisms, and experimental lyric, this intriguing and probing work of sound-illuminated poems welcomes readers into its overlapping worlds with grace.
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Audible warning Durca
Discover the Durca horn, the essential accessory for tous cyclists passionate about safety and performance. Manufactured by the renowned Durca brand, this horn is specially designed to meet the needs of demanding cyclists.Cycling is an exhilarating sport, but it can also present risks on the road. That's why it's vital to take all the necessary measures to ensure your safety. And that's where the Durca horn comes in. Thanks to its powerful sound, it allows you to effectively signal your presence to motorists and autres cyclists, guaranteeing you better visibility on the road.Made from high-quality materials, the Durca horn is both robust and léger. It fits perfectly on tous handlebars and won't interfere with your riding. Its elegant, discreet design makes it an aesthetic accessory that blends in perfectly with your bike.In addition to offering you enhanced safety, the Durca horn is also an ideal ally for improving your cycling performance. Being able to signal your presence with...
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An Audible Blue : Selected Poems
This important volume gathers work from Herman Hesse Prize winner, German-Language Swiss poet Klaus Merz’s fifteen collections of poetry, from 1963-2016. This important volume gathers work from Herman Hesse Prize winner, German-Language Swiss poet Klaus Merz’s fifteen collections of poetry, from 1963-2016.Throughout his career, Swiss Poet Klaus Merz has been praised as an artisan of the understatement, and it is precisely in these smallest of details that the great unexpected has the potential to be illuminated. As Merz himself has said: “The poetry nudges toward a secret, hopefully without ostentation, rather through the power of its own alphabet.” This seminal volume brings together selections from Merz’s fifteen collections of poetry (1963-2016). “Reading Merz' spare illuminating poems is like entering Plato's cave and witnessing the light behind the shadows.” –Nin Andrews“Merz takes careful notes, thinking and feeling himself into his subject as if from fragments.A strange exhilaration, curiously impersonal yet packed with personality.” –Brian Swann“Merz’ world is a shimmering window onto beauty and insight, so precisely understated that many of the poems border on the hypnotic and can be read time and time again.It’s no wonder that so many are short, eight or ten lines or less: his eye and ear are both so incisive that if he wrote at too great length the resultant intensity could be painful.Merz is a poet who expands and deepens with his conciseness, who embodies imagism’s implied aesthetic of ‘less is more.’”—Lit Pub“An artisan of the understatement, a craftsman of finely-tuned precision.” –Neue Zuricher ZeitungKlaus Merz was born in 1945 in Aarau and lives in Unterkulm, Switzerland.He has won many literary awards including the Hermann Hesse Prize for Literature, Swiss Schiller Foundation Poetry Prize and the Friedrich Hölderlin Prize in 2012.He has published over 35 works of poetry and fiction.His latest novel is The Argentinian (Der Argentine, Haymon, 2009) and his recent collections of verse are Out of the Dust (Aus dem Staub, Haymon, 2010), Unexpected Development (Unerwarteter Verlauf, Haymon, 2013), What Helios Hauls (Helios Transport, Haymon 2016) and firm (firma, Haymon, 2019)Marc Vincenz is a poet, translator, fiction writer, editor, musician and artist.He has published over 30 books of poetry, fiction and translation.His work has been published in The Nation, Ploughshares, Raritan, Colorado Review and The Los Angeles Review of Books.He is publisher and editor of MadHat Press and publisher of New American Writing.His newest books are There Might Be a Moon or a Dog (Gazebo, Australia, 2022) and The Pearl Diver of Irunmani (White Pine Press, forthcoming 2023).
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Wheel disc lock with audible alarm Armlock
Nom From Product: disc lock with alarm Nom Related Product: padlock Product use: motorized locks Color: chrome Diameter: 6 mm Divers Features: keyed Net weight: 580g Product subfamily: locks Product family : vehicle equipment (motorized) Packaging : (sold byunite) Product Version : with alarm
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Decksaver Synthstrom Audible Deluge Cover Soft Fit
You understand how important it is to protect your equipment. Make sure you use the Decksaver Synthstrom Audible Deluge Cover Soft Fit - ideal for protecting your precious synthesizer from the rigors of the tour. Decksaver covers provide great protection from dust liquid and accidental impact - using them means you get ample security from the dangers of the road. Dont settle for less. Please Note: The images are for reference only and the Decksaver cover DOES NOT include the Synthstrom Audible Deluge.
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Brake pad Jagwire Sport Avid Elixir Audible Warning
Jagwire Sport semi-metallic disc brake pads are a great improvement over the original pads. They are made of a high performance semi-metallic compound that combines the low noise of a resin pad with the durability of a metal pad. Mounted on a steel backing plate, these pads are very versatile. All pads are sold in pairs and include springs or clips if required.
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The Audible Past : Cultural Origins of Sound Reproduction
The Audible Past explores the cultural origins of sound reproduction.It describes a distinctive sound culture that gave birth to the sound recording and the transmission devices so ubiquitous in modern life.With an ear for the unexpected, scholar and musician Jonathan Sterne uses the technological and cultural precursors of telephony, phonography, and radio as an entry point into a history of sound in its own right.Sterne studies the constantly shifting boundary between phenomena organized as "sound" and "not sound." In The Audible Past, this history crisscrosses the liminal regions between bodies and machines, originals and copies, nature and culture, and life and death.Blending cultural studies and the history of communication technology, Sterne follows modern sound technologies back through a historical labyrinth.Along the way, he encounters capitalists and inventors, musicians and philosophers, embalmers and grave robbers, doctors and patients, deaf children and their teachers, professionals and hobbyists, folklorists and tribal singers.The Audible Past tracks the connections between the history of sound and the defining features of modernity: from developments in medicine, physics, and philosophy to the tumultuous shifts of industrial capitalism, colonialism, urbanization, modern technology, and the rise of a new middle class. A provocative history of sound, The Audible Past challenges theoretical commonplaces such as the philosophical privilege of the speaking subject, the visual bias in theories of modernity, and static descriptions of nature.It will interest those in cultural studies, media and communication studies, the new musicology, and the history of technology.
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