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  • Teen Magazines, Fashion, and Femininity : Honey Magazine and Consumer Culture in 1960s Britain
    Teen Magazines, Fashion, and Femininity : Honey Magazine and Consumer Culture in 1960s Britain


    Price: 26.99 £ | Shipping*: 3.99 £
  • Femininity, Feminism and Recreational Pole Dancing
    Femininity, Feminism and Recreational Pole Dancing

    This book explores the phenomenon of pole dancing as an increasingly popular fitness and leisure activity for women.It moves beyond previous debates surrounding the empowering or degrading nature of pole dancing classes, and instead explores the complexities of these concepts and highlights that women participating in this practice cannot be seen as one dimensional.Femininity, Feminism and Recreational Pole Dancing explores the construction, negotiation and presentation of a gendered and classed identity and self through participation in pole dancing, the meaning of pole dancing as a fitness practice for women, and the concepts of community and friendship as developed through classes.Using empirical research, the book uncovers the stories and experiences of the women who participate in these classes, and examines what the mainstreaming of this type of sexualised dance means for the women who practice it.Pole dancing is shown to be a practice in which female identities are negotiated, performed and enacted and this book positions pole dancing as an activity which both reinforces but also presents some challenge to ideas of feminism and femininity for the women that participate.Women's participation in pole dancing is described in a discourse of choice and control, yet this book argues that the decision to participate is somewhat constructed by the advertising of these classes as enabling women to create a particular desirable self, which is perpetuated throughout our culture as the ‘ideal’.Exploring the ways in which women attempt to manage impressions and present themselves as ‘respectable’, the book examines how women wish to dis-identify with both women who work as strippers and women who are feminist, seeing both identities as contradictory to the feminine image that they pursue.The book explores the capacity of these classes to offer women some feelings of agency but challenges the idea that participating in pole dancing can offer collective empowerment.The book ultimately argues that women’s participation can be viewed both in terms of their active engagement and enjoyment of these classes and in terms of the structures and pressures which continue to shape their lives. This timely publication explores the complexity of the pole dancing phenomenon and highlights a range of questions surrounding this activity as a leisure form.It will be a valuable contribution to those interested in women’s and gender studies, cultural studies, feminism, sociology and leisure studies.

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  • Femininity, Mathematics and Science, 1880–1914
    Femininity, Mathematics and Science, 1880–1914

    Through the prism of gender, this text explores the contrasting cultures and practice of mathematics and science and asks how they impacted on women.Claire Jones assesses nineteenth-century ideas about women's intellect, femininity and masculinity, and assesses how these attitudes shaped women's experiences as students and practitioners.

    Price: 44.99 £ | Shipping*: 0.00 £
  • Conscious Femininity : Interviews with Marion Woodman
    Conscious Femininity : Interviews with Marion Woodman


    Price: 16.00 £ | Shipping*: 3.99 £
  • Is there toxic femininity/femininity?

    Toxic femininity refers to the harmful behaviors and expectations placed on individuals who identify as female, often perpetuated by societal norms and gender roles. This can include pressure to conform to traditional gender roles, competition and judgment among women, and the reinforcement of negative stereotypes about femininity. While femininity itself is not inherently toxic, the societal expectations and pressures placed on individuals to conform to certain ideals of femininity can lead to toxic behaviors and attitudes. It's important to recognize and challenge these harmful expectations in order to create a more inclusive and healthy understanding of femininity.

  • Is there such a thing as toxic femininity/femininity?

    Toxic femininity refers to the harmful behaviors and expectations placed on women by society, such as the pressure to be passive, nurturing, and submissive. These expectations can lead to women feeling like they must conform to traditional gender roles and suppress their own desires and ambitions. Toxic femininity can also manifest in the form of competitiveness and judgment among women, as well as the perpetuation of harmful beauty standards. It's important to recognize that toxic femininity is a result of societal expectations and should not be confused with femininity itself, which is a natural and diverse expression of gender identity.

  • What color represents femininity?

    The color pink is often associated with femininity. It is a soft and delicate color that is commonly used to represent qualities traditionally associated with femininity, such as nurturing, sensitivity, and compassion. Pink is often used in marketing and branding targeted towards women and girls, and it is also commonly used in gender reveal parties and baby showers to signify the arrival of a baby girl. However, it's important to note that the association of pink with femininity is a social construct and can vary across different cultures and time periods.

  • How does femininity work?

    Femininity is a social construct that encompasses a range of characteristics, behaviors, and attributes traditionally associated with women. It is often defined by qualities such as nurturing, empathy, sensitivity, and grace. However, femininity is not fixed and can vary across cultures and time periods. It is performed and expressed through clothing, mannerisms, and social interactions, and is often reinforced through societal expectations and gender norms.

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  • Barbra Streisand : Redefining Beauty, Femininity, and Power
    Barbra Streisand : Redefining Beauty, Femininity, and Power

    An enthralling appreciation of the monumentally gifted popular artist and cultural icon who challenged Hollywood’s standards of beauty and glamour Barbra Streisand has been called the “most successful...talented performer of her generation” by Vanity Fair, and her voice, said pianist Glenn Gould, is “one of the natural wonders of the age.” Streisand scaled the heights of entertainment—from a popular vocalist to a first-rank Broadway star in Funny Girl to an Oscar-winning actress to a producer and director.But she has also become a cultural icon who has transcended show business.To achieve her success, Brooklyn-born Streisand had to overcome tremendous odds, not the least of which was her Jewishness.Dismissed, insulted, even reviled when she embarked on a show business career for acting too Jewish and looking too Jewish, she brilliantly converted her Jewishness into a metaphor for outsiderness that would eventually make her the avenger for anyone who felt marginalized and powerless. Neal Gabler examines Streisand’s life and career through this prism of otherness—a Jew in a gentile world, a self-proclaimed homely girl in a world of glamour, a kooky girl in a world of convention—and shows how central it was to Streisand’s triumph as one of the voices of her age.

    Price: 11.99 £ | Shipping*: 3.99 £
  • Sensual Excess : Queer Femininity and Brown Jouissance
    Sensual Excess : Queer Femininity and Brown Jouissance

    Reimagines black and brown sensuality to develop new modes of knowledge productionIn Sensual Excess, Amber Jamilla Musser imagines epistemologies of sensuality that emerge from fleshiness.To do so, she works against the framing of black and brown bodies as sexualized, objectified, and abject, and offers multiple ways of thinking with and through sensation and aesthetics.Each chapter draws our attention to particular aspects of pornotropic capture that black and brown bodies must always negotiate.Though these technologies differ according to the nature of their encounters with white supremacy, together they add to our understanding of the ways that structures of domination produce violence and work to contain bodies and pleasures within certain legible parameters. To do so, Sensual Excess analyzes moments of brown jouissance that exceed these constraints.These ruptures illuminate multiple epistemologies of selfhood and sensuality that offer frameworks for minoritarian knowledge production which is designed to enable one to sit with uncertainty.Through examinations of installations and performances like Judy Chicago’s The Dinner Party, Kara Walker’s A Subtlety, Patty Chang’s In Love and Nao Bustamante’s Neapolitan, Musser unpacks the relationships between racialized sexuality and consumption to interrogate foundational concepts in psychoanalytic theory, critical race studies, feminism, and queer theory.In so doing, Sensual Excess offers a project of knowledge production focused not on mastery, but on sensing and imagining otherwise, whatever and wherever that might be.

    Price: 25.99 £ | Shipping*: 3.99 £
  • Eve in Exile and the Restoration of Femininity
    Eve in Exile and the Restoration of Femininity

    The swooning Victorian ladies and the 1950s housewives genuinely needed to be liberated.That much is indisputable. So, First-Wave feminists held rallies for women's suffrage.Second-Wave feminists marched for Prohibition, jobs, and abortion.Today, Third-Wave feminists stand firmly for nobody's quite sure what.But modern women -- who use psychotherapeutic antidepressants at a rate never before seen in history -- need liberating now more than ever.The truth is, feminists don't know what liberation is.They have led us into a very boring dead end. Eve in Exile sets aside all stereotypes of mid-century housewives, of China-doll femininity, of Victorians fainting, of women not allowed to think for themselves or talk to the men about anything interesting or important.Once those fictionalized stereotypes are out of the way -- whether they're things that make you gag or things you think look pretty fun -- Christians can focus on real women.What did God make real women for?

    Price: 13.41 £ | Shipping*: 3.99 £
  • Freedom Girls : Voicing Femininity in 1960s British Pop
    Freedom Girls : Voicing Femininity in 1960s British Pop

    Freedom Girls: Voicing Femininity in 1960s British Pop shows how the vocal performances of girl singers in 1960s Britain defined-and sometimes defied-ideas about what it meant to be a young woman in the 1960s British pop music scene.The singing and expressive voices of Sandie Shaw, Cilla Black, Millie Small, Dusty Springfield, Lulu, Marianne Faithfull, and P.P.Arnold, reveal how vocal sound shapes access to social mobility, and consequently, access to power and musical authority.The book examines how Sandie Shaw and Cilla Black's ordinary girl personas were tied to whiteness and, in Black's case, her Liverpool origins.It shows how Dusty Springfield and Jamaican singer Millie Small engaged with the transatlantic sounds of soul and and ska, respectively, transforming ideas about musical genre, race, and gender.It reveals how attitudes about sexuality and youth in rock culture shaped the vocal performances of Lulu and Marianne Faithfull, and how P.P.Arnold has re-narrated rock history to center Black women's vocality.Freedom Girls draws on a broad array of archival sources, including music magazines, fashion and entertainment magazines produced for young women, biographies and interviews, audience research reports, and others to inform analysis of musical recordings (including such songs as "As Tears Go By," "Son of a Preacher Man," and others) and performances on television programs such as Ready Steady Go!, Shindig, and other 1960s music shows.These performances reveal the historical and contemporary connections between voice, social mobility, and musical authority, and demonstrate how singers used voice to navigate the boundaries of race, class, and gender.

    Price: 27.99 £ | Shipping*: 0.00 £
  • Does hegemonic femininity exist?

    Yes, hegemonic femininity does exist. It refers to the dominant and idealized form of femininity that is promoted and reinforced by society, media, and cultural norms. This idealized femininity often includes traits such as being nurturing, submissive, and physically attractive, and it can create pressure for women to conform to these expectations. However, it's important to recognize that femininity is diverse and can be expressed in many different ways, and that the concept of hegemonic femininity can be limiting and exclusionary.

  • 'Don't you like femininity?'

    As an AI, I don't have personal preferences or feelings. However, I can provide information and support discussions on the topic of femininity. Femininity is a diverse and complex concept that can be expressed in many different ways, and it's important to recognize and respect the individual choices and expressions of femininity.

  • How does artificial femininity work?

    Artificial femininity refers to the societal construct of femininity that is often portrayed in a stereotypical or exaggerated manner. This can include characteristics such as passivity, submissiveness, and a focus on physical appearance. Artificial femininity is often perpetuated through media, advertising, and cultural norms, shaping expectations and behaviors around what it means to be feminine. It can be limiting and harmful, as it reinforces gender stereotypes and pressures individuals to conform to narrow definitions of femininity.

  • How does femininity manifest itself?

    Femininity can manifest itself in various ways, including through behaviors, traits, and characteristics traditionally associated with women. This can include qualities such as nurturing, empathy, sensitivity, and compassion. Additionally, femininity can be expressed through physical appearance, fashion choices, and communication styles that are typically considered more feminine. Ultimately, femininity is a complex and multifaceted concept that can be expressed in a wide range of ways, both individually and culturally.

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